
Curating
Series and seasons with a dramaturgy that carries — from the first research to the signed contract.
- Research & pre-selection
- Dramaturgy of the series
- Negotiating with ensembles
Berlin · Maghreb · Mashreq · Central Asia
For 45 years I have been bringing music from the Maghreb, the Middle East and Central Asia onto German stages — for venues, festivals and cultural institutes.

45 years
The arithmetic
This is not a number from an image brochure but a sum that can be checked — against one house, one series and a radio voice many people in Berlin recognised.
Concert, dance and theatre promoter at the Haus der Kulturen der Welt, 1988 to 2020.
Founder and director of Café Global at the same house, from 1990 — a signature of his own.
Presenter at RBB Radio Multikulti with «Backstage» and «à la Carte», until the station closed in 2008.
The whole line — from Tunisia in 1954 via West Berlin in 1975 to the Registan in Samarkand — is in my story.
What you order here
Curating, producing, hosting, playing records — four ways of working that answer the same question: how does music hardly anyone here knows get onto a stage in a way that an audience understands it and comes back?

Series and seasons with a dramaturgy that carries — from the first research to the signed contract.

Visas, riders, travel routes, schedules — the part where international festivals really fail.

Panels people listen to right to the end — composed, built and hosted in German, French and Arabic.

Nouris Radyoun, broadcasts, music editing — and DJ sets between chaabi, raï and son cubano.
These four tracks become ten bookable formats — with scope, result and process.
The bridge




Malouf from the radio, chaabi from the street, the Mediterranean within earshot. Before I knew that curating was a profession, I knew how differently music can be meant.
Built, produced, hosted

The series I founded and ran at the Haus der Kulturen der Welt — an evening where audience and music from all over the world meet as equals.
See the programme
Music in the open air, for an audience that does not come specially but is already there: programming for public space.
See the programme
A curated journey to Tunisia — music, places and people you cannot reach without someone on the ground.
See the programme
The international music festival on the Registan in Samarkand — one of the largest gatherings of traditional music in the world, which I have contributed to.
See the programmeCulture is the ability to give the unfamiliar in our lives a chance.
Nouris Radyoun
When RBB Radio Multikulti was shut down in 2008, the show was gone — the music was not. Nouris Radyoun has been running ever since: Arabic and Latin American sounds, chosen by someone who knows the records and where they come from. The same selection stands behind every DJ set I play.

Briefly asked
Six questions that come up most often — answered in full sentences, so that they still hold outside this page.
Let's make diversity shine together
Three short steps, no sign-up, no formalities. Tell me what it is about — I read every enquiry myself and answer personally. Even if you do not yet know which format is the right one: that is exactly what the first conversation is for.