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Berlin · Maghreb · Mashreq · Central Asia

I curatefestivals andconcert series.

For 45 years I have been bringing music from the Maghreb, the Middle East and Central Asia onto German stages — for venues, festivals and cultural institutes.

Empty concert hall with tall windows: a double bass, a lute and a frame drum stand on a low stage, with rows of empty wooden chairs in front.

Generated mood images — not photographs of the programmes or people named here.

45 years

The arithmetic

International cultural management, verifiable.

This is not a number from an image brochure but a sum that can be checked — against one house, one series and a radio voice many people in Berlin recognised.

  • Stage

    Concert, dance and theatre promoter at the Haus der Kulturen der Welt, 1988 to 2020.

  • Programme

    Founder and director of Café Global at the same house, from 1990 — a signature of his own.

  • Voice

    Presenter at RBB Radio Multikulti with «Backstage» and «à la Carte», until the station closed in 2008.

The whole line — from Tunisia in 1954 via West Berlin in 1975 to the Registan in Samarkand — is in my story.

What you order here

Four tracks on one band.

Curating, producing, hosting, playing records — four ways of working that answer the same question: how does music hardly anyone here knows get onto a stage in a way that an audience understands it and comes back?

Open empty notebook, headphones, pencil, a cassette and a green cup on a bright wooden table.

01 · Track

Curating

Series and seasons with a dramaturgy that carries — from the first research to the signed contract.

  • Research & pre-selection
  • Dramaturgy of the series
  • Negotiating with ensembles
Bright industrial hall with concrete columns, two large speaker stacks and covered instruments between them.

02 · Track

Producing festivals

Visas, riders, travel routes, schedules — the part where international festivals really fail.

  • Booking & contracts
  • Visas and customs outside the EU
  • Running order and care on site
Bright seminar room with tables in a U shape, dark green chairs and empty notepads.

03 · Track

Conferences & hosting

Panels people listen to right to the end — composed, built and hosted in German, French and Arabic.

  • Concept & panel
  • Hosting in three languages
  • Music and talk from one hand
Analogue mixing desk on a bright wooden table, next to it a turntable and a row of record sleeves.

04 · Track

Radio & DJ

Nouris Radyoun, broadcasts, music editing — and DJ sets between chaabi, raï and son cubano.

  • Broadcasts & music editing
  • DJ sets for clubs and receptions
  • Hosting and voice work

These four tracks become ten bookable formats — with scope, result and process.

The bridge

From Tunis to Samarkand.

Bright North African courtyard with horseshoe arches, tiled floor and a lute leaning against a pillar.
Bright archive room with ceiling-high wooden shelves full of records and a rolling ladder in front.
Bright foyer hall with round tables, chairs and a low stage on which a lute and a hand drum are lying.
Monumental tiled portal of a Central Asian madrasa in daylight, with a low stage and empty chairs in front.

Tunis · 1954

Where the ear was trained

Malouf from the radio, chaabi from the street, the Mediterranean within earshot. Before I knew that curating was a profession, I knew how differently music can be meant.

Read the whole story

Generated mood images — not photographs of the programmes or people named here.

Built, produced, hosted

Eight programmes, one band.

See all eight
Bright foyer hall with round tables, chairs and a low stage on which a lute and a hand drum are lying.

Concert series · Haus der Kulturen der Welt, Berlin · from 1990

Café Global

The series I founded and ran at the Haus der Kulturen der Welt — an evening where audience and music from all over the world meet as equals.

See the programme
Garden courtyard with rows of simple wooden chairs on gravel under old trees, an open wooden pavilion behind.

Concert series · Berlin · Open-air series

Garten der Kulturen

Music in the open air, for an audience that does not come specially but is already there: programming for public space.

See the programme
Monumental tiled portal of a Central Asian madrasa in daylight, with a low stage and empty chairs in front.

Festival · Registan, Samarkand · Uzbekistan · UNESCO-listed

Sharq Taronalari

The international music festival on the Registan in Samarkand — one of the largest gatherings of traditional music in the world, which I have contributed to.

See the programme
All programmes and festivals
Culture is the ability to give the unfamiliar in our lives a chance.

Noureddine Ben Redjeb · guiding principle

Nouris Radyoun

The voice that stayed.

When RBB Radio Multikulti was shut down in 2008, the show was gone — the music was not. Nouris Radyoun has been running ever since: Arabic and Latin American sounds, chosen by someone who knows the records and where they come from. The same selection stands behind every DJ set I play.

  • 01ChaabiAlgiers · Casablanca
  • 02MaloufTunis
  • 03RaïOran
  • 04GnawaEssaouira
Bright small radio studio with a microphone on a boom arm, a small mixing desk and headphones on a wooden table.
Mood image — generated, not a photograph of this studio.

Briefly asked

Who works here, and on what.

Six questions that come up most often — answered in full sentences, so that they still hold outside this page.

Who is Noureddine Ben Redjeb?
Noureddine Ben Redjeb is a curator, cultural manager and presenter based in Berlin. He was born in Tunisia in 1954 and has lived in Berlin since 1975. From 1988 to 2020 he was a concert, dance and theatre promoter at the Haus der Kulturen der Welt, where he founded and ran the series Café Global from 1990. Until the station was shut down in 2008 he presented at RBB Radio Multikulti, among others the shows «Backstage» and «à la Carte». Today he works as an independent curator under the name It's a Nouri.
What is It's a Nouri?
It's a Nouri is the cultural office of Noureddine Ben Redjeb in Berlin. Ten formats can be booked across four areas: curating programmes, producing festivals, conferences and hosting, and radio and DJ work. The base is Berlin, the working radius is international.
What is Café Global?
Café Global is a concert series at the Haus der Kulturen der Welt in Berlin that Noureddine Ben Redjeb founded and ran from 1990. Instead of concert seating there were tables, drinks and music from countries the Berlin audience mostly knew only from the news — with the chance to talk to the musicians afterwards. The series is the format his later work grew out of.
What is Nouris Radyoun?
Nouris Radyoun is Noureddine Ben Redjeb's own radio show with Arabic and Latin American sounds. It carries on what ended in 2008 when RBB Radio Multikulti was shut down. The same record selection stands behind every DJ set he plays.
Which music does Noureddine Ben Redjeb curate?
The arc between the Maghreb, the Mashreq, Central Asia and Latin America: chaabi, malouf, raï, gnawa, maqam and oud, shashmaqam from Samarkand and Bukhara as well as son cubano, salsa and cumbia. «World music» is a shelf label here, not a description — origin is treated as context, not as a genre.
What can you book It's a Nouri for?
For curated concert series and season programmes, complete festival productions, programme consulting, artist placement and booking, conferences and panels, hosting in German, French and Arabic, DJ sets, radio and music editing, cultural journeys and intercultural programme work. All ten formats are listed with scope, result and process on the «Services» page.

Let's make diversity shine together

Tell me about your project.

Three short steps, no sign-up, no formalities. Tell me what it is about — I read every enquiry myself and answer personally. Even if you do not yet know which format is the right one: that is exactly what the first conversation is for.

Step 1 of 3

What is it about?

What do you need?

Pick as many as you like — whatever comes closest is plenty.