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Languagedeen

45 years · Tunis → Berlin → Samarkand

One line,never lifted.

I am not a label and not an agency. I am a person with a life's work — and that is best told as one continuous line.

Bright archive room with ceiling-high wooden shelves full of records and a rolling ladder in front.

Generated mood images — not photographs of the programmes or people named here.

Born in Tunisia in 1954, in Berlin since 1975. In between there is no rupture but a connection: what I heard on the radio as a child is the same thing I later brought onto Berlin stages — only that nobody here knew it.

Over four decades that grew into a profession for which there is no degree course. You learn it by doing it: contracts, visas, soundchecks, programme booklets, hosting, night shifts at the turntables and conversations with ensembles who do not speak a word of German and are still supposed to be on stage on time.

What remains is a handful of houses, a series that would not exist without me, and a voice many people recognised on Berlin radio. And the conviction that musical borders should be dismantled, not guarded.

The series is called Café Global, the voice Nouris Radyoun — and what can be booked from it today is listed under Services.

The timeline

Stations of one line.

1954 — today

  1. 1954 · Tunisia

    Born

    Born in Tunisia. Malouf, chaabi and the radio of the Mediterranean are the first music I know — long before I know you can make a profession out of it.

  2. 1975 · West Berlin

    Arrival

    I come to West Berlin. A city with a wall, with space and with a curiosity that did not exist elsewhere in that form. Everything that follows is organised from here.

  3. 1987–89 · Berlin-Kreuzberg

    Piranha

    First stop in the professional music business: Piranha, out of which WOMEX later grew — the world's largest trade fair for global music. Here I learn how international concerts actually come about.

  4. 1988–2020 · Haus der Kulturen der Welt

    Concert, dance and theatre promoter

    More than three decades as a promoter for concerts, dance and theatre at the Haus der Kulturen der Welt. It is the longest and most formative collaboration of my working life.

  5. from 1990 · Haus der Kulturen der Welt

    Café Global

    I found and run Café Global — the series in which audience and music from all over the world meet as equals. It becomes the signature my work is recognised by.

  6. until 2008 · RBB Radio Multikulti

    Backstage · à la Carte

    Presenter at RBB Radio Multikulti, among others with the shows «Backstage» and «à la Carte» — until the station was shut down in 2008. The voice remains: Nouris Radyoun carries the idea on.

  7. Wergo label

    CD productions

    Music editing and CD productions at the Wergo label. An artist profile on Discogs documents what has remained tangible of it.

  8. Registan, Samarkand

    Sharq Taronalari

    Contributing to the UNESCO-listed festival Sharq Taronalari on the Registan in Samarkand. The point where the bridge reaches beyond the Middle East all the way into Central Asia.

Attitude

Why I do it this way.

  • No roster, an ear

    I do not sell a list of artists. I listen until I have understood what an ensemble actually does — and only then do I think about which stage it belongs on.

  • Origin is not a genre

    «World music» is a shelf label, not a description. Someone from Tunis does not have to sound like Tunis. My programmes treat musicians as authors, not as ambassadors.

  • A chance for the unfamiliar

    The sentence above everything: culture is the ability to give the unfamiliar in our lives a chance. Everything else — dramaturgy, visas, riders — is craft in the service of that sentence.

Long row of empty folding chairs in a bright hall with a pale stone floor and a dark green curtain at the end.
Culture is the ability to give the unfamiliar in our lives a chance.

Guiding principle

Read on

What came of it.

Eight programmes, ten formats and a radio voice. See what is concretely bookable out of these 45 years — or write to me directly.