Tunisia · Berlin · Conference & concert evening · Concept

Night In Tunisia

A title that comes from jazz, for an evening that comes from Tunisia. The idea lies exactly in that doubling.

Bright room with parquet floor, two bentwood chairs, an open double bass case and a music stand.

Generated mood images — not photographs of the programmes or people named here.

Night In Tunisia joins what usually runs separately: a conversation that explains something, and a concert that makes something audible. One without the other stays incomplete — the talk stays abstract, the concert stays atmosphere.

The appeal of such a format lies in the dramaturgy between the two parts. When does the talking end, when does the music set in, what is deliberately left unexplained? An evening of this kind only works if it is built by someone who knows both sides.

For venues that want to penetrate a subject rather than merely present it, it is the densest format I offer.

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